Universal Audio UAD Instrukcja Użytkownika Strona 163
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UAD Powered Plug-Ins - 163 - Precision Equalizer
Precision Equalizer Latency
The Precision Equalizer uses an internal sample rate of 192kHz to facilitate its
amazing sonic quality. This upsampling results in a slightly larger latency than
other UAD plugins. You may enter a value in the “Samples” parameter in De-
layComp or TrackAdv to compensate. See “Compensating for Precision
Equalizer, Helios 69, Neve 1073, and Neve 1081” on page 57 for more in-
formation.
Note: Compensating for Precision Equalizer is not required if the host appli-
cation supports full plugin delay compensation throughout the signal path, or
when it is used only on the outputs. See “Host PDC Implementation” on
page 50.
- Email Inquiries 1
- World Wide Web 1
- TABLE OF CONTENTS 10
- LIST OF FIGURES 12
- LIST OF TABLES 16
- Introduction 17
- Features 18
- 1176LN Limiting Amplifier 19
- 1176SE Limiting Amplifier 19
- LA-3A Leveling Amplifier 19
- Precision Limiter™ 20
- Precision Equalizer™ 20
- Precision Multiband™ 20
- Precision Maximizer 20
- Precision De-Esser 21
- Precision Buss Compressor 21
- Precision Enhancer kHz 21
- Pultec-Pro with MEQ-5 21
- Neve 33609SE Compressor 23
- Neve 88RS Channel Strip 23
- DreamVerb™ 24
- RealVerb Pro 24
- EX-1™ Equalizer/Compressor 25
- DM-1™ Delay Modulator 25
- RS-1™ Reflection Engine 25
- System Requirements 28
- Manual Conventions 29
- Installation 30
- Installing the UAD Hardware 31
- Using UAD Powered Plug-Ins 32
- Accessing Meter Functions 37
- Using the Meter 38
- UAD System Information Window 40
- System Info 41
- (Windows) 41
- (Mac OS) 42
- UAD Configuration Window 43
- Limit CPU Load 44
- CPU Load Limit 44
- Controls Mode 45
- Circular (jump) 45
- Relative Circular (grab) 45
- Linear (slider) 45
- Use Host Mode 45
- Macintosh G5 Systems 46
- Force Logic Live Mode 47
- Hide AU Preset Bar 48
- Configuration 49
- Delay Compensation 50
- UAD Delay Compensator plugin 52
- DelayComp Examples 54
- 44.1, 48, 88.2, 96 67 Samples 59
- 176.4, 192 42 Samples 59
- UAD Track Advance 62
- TrackAdv Examples 63
- Live Processing 64
- DSP Usage 65
- Tempo Sync 65
- Arrow Keys 68
- Text Entry 68
- Multiple Cards 69
- Optional Plug-Ins 71
- Authorizing Multiple Cards 73
- Authorizations Window 74
- Hardware IDs 75
- Authorizations 75
- Demo Mode 76
- RealVerb Pro Background 80
- Spectral Characteristics 81
- Resonance (Equalization) 86
- Positioning 89
- Morphing 91
- RealVerb Pro Preset List 93
- DreamVerb 94
- Signal Flow 95
- Shape Panel 98
- Materials Panel 100
- Reflections Panel 102
- Reverberation Panel 104
- Positioning Panel 105
- Early & Late Adjustment 106
- Levels Panel 107
- DreamVerb Preset Management 108
- Spatial Characteristics 109
- Preset Design Tips 110
- For additional info: 111
- Plate 140 112
- Plate 140 Controls 113
- Hidden Controls 117
- LA-2A and 1176LN 119
- Compressor Basics 120
- LA-2A Controls 123
- 1176LN Controls 126
- To enter All Button Mode 127
- To exit All Button Mode 127
- 1176SE “Special Edition” 128
- Fairchild 670 129
- Fairchild Screenshot 130
- 2 Compressors, 4 Modes 130
- Controls Overview 131
- Fairchild Modes 132
- Controls 133
- Meter Select Switch 134
- Left – Right 134
- Lateral – Vertical 134
- Precision Multiband 137
- Precision Multiband Interface 138
- Band Controls 139
- Band Parameters 140
- Absolute Link 141
- COMPRESS 142
- EQ Display 144
- Frequency Controls 146
- Dynamics Meters 147
- Global Controls 148
- Dynamic EQ 149
- Precision Multiband Latency 150
- Precision Limiter 151
- Precision Limiter Screenshot 152
- Precision Limiter Controls 152
- Auto Mode 153
- Sliding Meter Scale 154
- Long Live Dynamic Range! 154
- Peak-RMS 155
- Precision Limiter Latency 157
- Precision Equalizer 158
- Precision Equalizer Controls 159
- Control Grouping 159
- Mode Selection 160
- Stereo Mode 160
- Parameter Copy in Dual Mode 160
- Precision Equalizer Latency 163
- Cambridge EQ 164
- Cambridge EQ Controls 165
- Low Cut / High Cut Filters 168
- EQ Bands 169
- Parametric EQ 170
- Shelf EQ 173
- Shelf Mode 174
- Indicator Line 174
- Pultec and Pultec-Pro 175
- Pultec Latency 176
- Pultec EQP-1A Screenshot 176
- Pultec EQP-1A Controls 176
- Low Frequency Controls 177
- High Frequency Controls 178
- High Attenuation Controls 178
- Pultec MEQ-5 Screenshot 179
- Pultec MEQ-5 Controls 179
- Low Peak Controls 180
- Dip Controls 180
- High Peak Controls 180
- MEQ-5 Response Curves 180
- Low Peak 181
- Response 181
- Dip Response 182
- High Peak 183
- CHAPTER 14 184
- Introducing Nigel 184
- Preflex Plugin 186
- Preflex Modules 186
- Gate/Comp Module 187
- Amp Module 190
- Amp Controls 191
- Pre-EQ Hi Knob 192
- Post-EQ LO Knob 192
- Post-EQ Mid Knob 192
- Post-EQ Hi Knob 192
- Pre-EQ Mid Knob 192
- Cabinet Module 194
- Phasor Module 196
- Sweep Lo Knob 197
- Sweep Hi Knob 197
- Mod Filter Module 199
- LFO Mode 201
- Envelope Mode 201
- Wah Mode 201
- Wah Pedal Mode 202
- TremModEcho Plugin 203
- Trem/Fade Module 204
- Fade Mode 205
- Shimmer Mode 205
- Tremolo Mode 206
- VariTrem Mode 206
- Mod Delay Module 207
- Echo Module 211
- CS-1 Channel Strip 213
- EX-1 Equalizer and Compressor 214
- EX-1 Equalizer Controls 214
- EX-1 Compressor Controls 215
- EX-1M Overview 216
- DM-1 Delay Modulator 217
- DM-1 Controls 217
- RS-1 Reflection Engine 220
- RS-1 Controls 221
- Roland CE-1 223
- Roland CE-1 Controls 224
- Dual Mode 225
- Classic Mode 225
- Depth Knob 226
- Rate Knob 226
- Roland Dimension D 227
- Roland Dimension D Controls 228
- Roland RE-201 229
- Roland RE-201 Screenshot 230
- Roland RE-201 Interface 230
- Roland RE-201 Controls 230
- Neve 1073 Equalizer 236
- Neve 1073 and 1073SE Controls 237
- Low Gain 238
- Low Frequency 238
- Neve 1073SE 239
- Neve 1073 Latency 240
- Neve 33609 Compressor 241
- Neve 33609 Screenshot 242
- Operation 242
- Neve 33609 Controls 243
- Compressor 244
- Other Controls 245
- Gratuitous Question 247
- Background 247
- Headroom Switch 248
- Neve 33609SE 250
- Neve 33609 Latency 250
- Neve 1081 Equalizer 251
- Neve 1081 and 1081SE Controls 252
- High Gain 253
- High Frequency 253
- High Peak Select 253
- High-Mid Gain 253
- High-Mid Frequency 254
- High-Mid Q Select 254
- Low-Mid Gain 254
- Low-Mid Frequency 254
- Low-Mid Q Select 255
- Low Peak Select 255
- High Cut 256
- Neve 1081SE 257
- Neve 1081 Latency 257
- Helios Type 69 Equalizer 258
- Helios Type 69 Controls 259
- Helios 69 Latency 262
- WebZine Article 262
- Neve 88RS Screenshot 265
- Neve 88RS Controls 266
- Dynamics 266
- Gate/Expander 267
- Limiter/Compressor 270
- Equalizer 273
- Cut Filters 276
- LA-3A Compressor 279
- LA-3A Controls 280
- Precision Maximizer Controls 282
- Operating Tips 286
- Precision Maximizer Latency 287
- Precision De-Esser Controls 289
- Fade Set 295
- Fade Switch 295
- Extra Presets 297
- SPL Transient Designer 298
- Acknowledgement 301
- Applications 301
- Technology 305
- CHAPTER 29 309
- Overview 309
- VCA VU Screenshot 309
- VCA VU Controls 310
- WebZine Articles 311
- All Mode 314
- Output Meter 315
- CHAPTER 31 316
- Thank You 318
- • http://www.uaudio.com 318
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