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UAD Powered Plug-Ins - 258 - Helios Type 69 Equalizer
CHAPTER 22
Helios Type 69 Equalizer
Overview
Helios consoles were used to record and mix some of the finest rock, pop and
reggae classics ever produced. The Beatles, Led Zeppelin, The Rolling Stones,
The Who, Roxy Music, Queen, Jimi Hendrix and Bob Marley are just a few
that recorded with these amazing wrap-around consoles. Moreover, many
great musicians of the era purchased Helios consoles for their personal use.
Of all the Helios consoles produced between 1969 and 1979, the original
“Type 69” is considered the most musical. Universal Audio modeled the EQ
section of the very first Type 69. This console was originally found at Island’s
Basing Street Studio in London; it now resides with Jason Carmer in Berkeley,
California, where it continues to record multi-platinum albums.
Helios Type 69 Screenshot
Figure 100. The Helios Type 69 plugin window
- Email Inquiries 1
- World Wide Web 1
- TABLE OF CONTENTS 10
- LIST OF FIGURES 12
- LIST OF TABLES 16
- Introduction 17
- Features 18
- 1176LN Limiting Amplifier 19
- 1176SE Limiting Amplifier 19
- LA-3A Leveling Amplifier 19
- Precision Limiter™ 20
- Precision Equalizer™ 20
- Precision Multiband™ 20
- Precision Maximizer 20
- Precision De-Esser 21
- Precision Buss Compressor 21
- Precision Enhancer kHz 21
- Pultec-Pro with MEQ-5 21
- Neve 33609SE Compressor 23
- Neve 88RS Channel Strip 23
- DreamVerb™ 24
- RealVerb Pro 24
- EX-1™ Equalizer/Compressor 25
- DM-1™ Delay Modulator 25
- RS-1™ Reflection Engine 25
- System Requirements 28
- Manual Conventions 29
- Installation 30
- Installing the UAD Hardware 31
- Using UAD Powered Plug-Ins 32
- Accessing Meter Functions 37
- Using the Meter 38
- UAD System Information Window 40
- System Info 41
- (Windows) 41
- (Mac OS) 42
- UAD Configuration Window 43
- Limit CPU Load 44
- CPU Load Limit 44
- Controls Mode 45
- Circular (jump) 45
- Relative Circular (grab) 45
- Linear (slider) 45
- Use Host Mode 45
- Macintosh G5 Systems 46
- Force Logic Live Mode 47
- Hide AU Preset Bar 48
- Configuration 49
- Delay Compensation 50
- UAD Delay Compensator plugin 52
- DelayComp Examples 54
- 44.1, 48, 88.2, 96 67 Samples 59
- 176.4, 192 42 Samples 59
- UAD Track Advance 62
- TrackAdv Examples 63
- Live Processing 64
- DSP Usage 65
- Tempo Sync 65
- Arrow Keys 68
- Text Entry 68
- Multiple Cards 69
- Optional Plug-Ins 71
- Authorizing Multiple Cards 73
- Authorizations Window 74
- Hardware IDs 75
- Authorizations 75
- Demo Mode 76
- RealVerb Pro Background 80
- Spectral Characteristics 81
- Resonance (Equalization) 86
- Positioning 89
- Morphing 91
- RealVerb Pro Preset List 93
- DreamVerb 94
- Signal Flow 95
- Shape Panel 98
- Materials Panel 100
- Reflections Panel 102
- Reverberation Panel 104
- Positioning Panel 105
- Early & Late Adjustment 106
- Levels Panel 107
- DreamVerb Preset Management 108
- Spatial Characteristics 109
- Preset Design Tips 110
- For additional info: 111
- Plate 140 112
- Plate 140 Controls 113
- Hidden Controls 117
- LA-2A and 1176LN 119
- Compressor Basics 120
- LA-2A Controls 123
- 1176LN Controls 126
- To enter All Button Mode 127
- To exit All Button Mode 127
- 1176SE “Special Edition” 128
- Fairchild 670 129
- Fairchild Screenshot 130
- 2 Compressors, 4 Modes 130
- Controls Overview 131
- Fairchild Modes 132
- Controls 133
- Meter Select Switch 134
- Left – Right 134
- Lateral – Vertical 134
- Precision Multiband 137
- Precision Multiband Interface 138
- Band Controls 139
- Band Parameters 140
- Absolute Link 141
- COMPRESS 142
- EQ Display 144
- Frequency Controls 146
- Dynamics Meters 147
- Global Controls 148
- Dynamic EQ 149
- Precision Multiband Latency 150
- Precision Limiter 151
- Precision Limiter Screenshot 152
- Precision Limiter Controls 152
- Auto Mode 153
- Sliding Meter Scale 154
- Long Live Dynamic Range! 154
- Peak-RMS 155
- Precision Limiter Latency 157
- Precision Equalizer 158
- Precision Equalizer Controls 159
- Control Grouping 159
- Mode Selection 160
- Stereo Mode 160
- Parameter Copy in Dual Mode 160
- Precision Equalizer Latency 163
- Cambridge EQ 164
- Cambridge EQ Controls 165
- Low Cut / High Cut Filters 168
- EQ Bands 169
- Parametric EQ 170
- Shelf EQ 173
- Shelf Mode 174
- Indicator Line 174
- Pultec and Pultec-Pro 175
- Pultec Latency 176
- Pultec EQP-1A Screenshot 176
- Pultec EQP-1A Controls 176
- Low Frequency Controls 177
- High Frequency Controls 178
- High Attenuation Controls 178
- Pultec MEQ-5 Screenshot 179
- Pultec MEQ-5 Controls 179
- Low Peak Controls 180
- Dip Controls 180
- High Peak Controls 180
- MEQ-5 Response Curves 180
- Low Peak 181
- Response 181
- Dip Response 182
- High Peak 183
- CHAPTER 14 184
- Introducing Nigel 184
- Preflex Plugin 186
- Preflex Modules 186
- Gate/Comp Module 187
- Amp Module 190
- Amp Controls 191
- Pre-EQ Hi Knob 192
- Post-EQ LO Knob 192
- Post-EQ Mid Knob 192
- Post-EQ Hi Knob 192
- Pre-EQ Mid Knob 192
- Cabinet Module 194
- Phasor Module 196
- Sweep Lo Knob 197
- Sweep Hi Knob 197
- Mod Filter Module 199
- LFO Mode 201
- Envelope Mode 201
- Wah Mode 201
- Wah Pedal Mode 202
- TremModEcho Plugin 203
- Trem/Fade Module 204
- Fade Mode 205
- Shimmer Mode 205
- Tremolo Mode 206
- VariTrem Mode 206
- Mod Delay Module 207
- Echo Module 211
- CS-1 Channel Strip 213
- EX-1 Equalizer and Compressor 214
- EX-1 Equalizer Controls 214
- EX-1 Compressor Controls 215
- EX-1M Overview 216
- DM-1 Delay Modulator 217
- DM-1 Controls 217
- RS-1 Reflection Engine 220
- RS-1 Controls 221
- Roland CE-1 223
- Roland CE-1 Controls 224
- Dual Mode 225
- Classic Mode 225
- Depth Knob 226
- Rate Knob 226
- Roland Dimension D 227
- Roland Dimension D Controls 228
- Roland RE-201 229
- Roland RE-201 Screenshot 230
- Roland RE-201 Interface 230
- Roland RE-201 Controls 230
- Neve 1073 Equalizer 236
- Neve 1073 and 1073SE Controls 237
- Low Gain 238
- Low Frequency 238
- Neve 1073SE 239
- Neve 1073 Latency 240
- Neve 33609 Compressor 241
- Neve 33609 Screenshot 242
- Operation 242
- Neve 33609 Controls 243
- Compressor 244
- Other Controls 245
- Gratuitous Question 247
- Background 247
- Headroom Switch 248
- Neve 33609SE 250
- Neve 33609 Latency 250
- Neve 1081 Equalizer 251
- Neve 1081 and 1081SE Controls 252
- High Gain 253
- High Frequency 253
- High Peak Select 253
- High-Mid Gain 253
- High-Mid Frequency 254
- High-Mid Q Select 254
- Low-Mid Gain 254
- Low-Mid Frequency 254
- Low-Mid Q Select 255
- Low Peak Select 255
- High Cut 256
- Neve 1081SE 257
- Neve 1081 Latency 257
- Helios Type 69 Equalizer 258
- Helios Type 69 Controls 259
- Helios 69 Latency 262
- WebZine Article 262
- Neve 88RS Screenshot 265
- Neve 88RS Controls 266
- Dynamics 266
- Gate/Expander 267
- Limiter/Compressor 270
- Equalizer 273
- Cut Filters 276
- LA-3A Compressor 279
- LA-3A Controls 280
- Precision Maximizer Controls 282
- Operating Tips 286
- Precision Maximizer Latency 287
- Precision De-Esser Controls 289
- Fade Set 295
- Fade Switch 295
- Extra Presets 297
- SPL Transient Designer 298
- Acknowledgement 301
- Applications 301
- Technology 305
- CHAPTER 29 309
- Overview 309
- VCA VU Screenshot 309
- VCA VU Controls 310
- WebZine Articles 311
- All Mode 314
- Output Meter 315
- CHAPTER 31 316
- Thank You 318
- • http://www.uaudio.com 318
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